Rupp (Jannings) is a former butcher, made rich in the meat packing industry as a result of the reversal of fortunes brought on by WWI. He is crude, uncouth and uneducated. His son, Fred, is the apple of his father's eye and is an auto enthusiast. The widowed Rupp falls in love with a former aristocrat, Helen, now down on her luck and pawning her last heirloom. He proposes marriage and she accepts in order to save her ailing mother who needs a monetary influx to avoid death. Her former boyfriend, Platen, warns Helen against Rupp's intentions - he and Rupp are enemies, Rupp having caused his being fired for protecting a chorus girl against Rupp's unwanted advances. Meanwhile, Graf, a shyster, arranges purchase of a near bankrupt auto manufacturing firm, Phoenix, to Rupp's great advantage with practically no monetary recognition to Graf, who swears revenge. Rupp comes upon his son begging Helen not to marry his father but to return to Platen.

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A young actress, dismissed as untalented by a famous and admired mime, takes revenge for the insult by playing so many roles for him in his house - from maid to abused wife and tender mother to vamp - that in the end he discovers not only her talent but also his love for her.

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It usually turns out differently than you think. The entrepreneur's daughter Isabella Meinhardt had to experience this when she returned to Germany after studying for years in distant Japan. Her father Friedrich asked her to come home - and Isabella is convinced that she already knows the reason for this: she should take over the management of the traditional Meinhardt automobile works at his side. The shock is all the greater when she learns the real reason for her visit: In front of the assembled crowd, the widowed Friedrich does not announce his collaboration with his daughter, but his engagement to the public prosecutor Viola Kassen. Isabella, who had no idea of the new woman at her father's side, is stunned. She and her father have always had a very distant relationship, and this time Isabella feels ignored by this in two ways. She wants to leave immediately, disappointed and angry. To prevent a break with his daughter, Friedrich gives in.

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After her husband’s fatal accident, Marie is forced to leave her cozy home with her three children, move to a high-crime neighborhood, and, to make matters worse, work as a prostitute—because that seems to be her only way to make any money at all. In the end, her son’s single—and outrageously handsome—teacher becomes her savior in her time of need.